Meresha – A Rising Star Enters the Dreamland

Have you heard of Meresha yet? Let me introduce you. It seems like many years since I first heard Meresha sing, but given her age it can’t be that long ago. I feel like I’ve watched her grow up from a young bubbly teenager (with a mature musical spirit) to a powerful multifaceted musician, singer/songwriting woman, and that we are friends even though we’ve never met in person.

I knew instantly, seeing her perform (online) that she was going to be a superstar. She has a voice to die for, passion and personality that you can’t help but get swept up in, energy to burn that seems endless, a vision for what she wants and humility that keeps her grounded despite amazing successes on Billboard, MTV and many other platforms.

On June 12th she is launching her latest EP called ‘Enter The Dreamland’ and I’ve had the privilege of listening to it pre-release. The title song opens the door to the rest of the EP with a wonderful hook and reminds me of Alice in Wonderland, except that she takes us with her. Listening without the great video it is the sort of song where you can put your own journey or story into it and think “this is about me” and then with the video, you have another adventure to enjoy.

I’ve been saying for a while that it’s time for the comeback of concept albums. When I saw Carlos Santana perform again a few weeks ago and he went from Black Magic Woman to Oye Como Va as people remembered off the Abraxas album, the crowd roared with approval. They collectively remembered and appreciated the sequence of songs, where today so often we listen to one artist, one track, and move on to the next artist, especially with services like Spotify, where a search will find some of Meresha’s songs. I’m personally completing the third song of a concept  album I am writing about my cancer journey, with my target audience being people with cancer and those close to them, but I digress other than welcoming the approach Meresha has taken with this EP.

Enter The Dreamland really feels like a concept album and that we are being taken on a journey. My favorite song at the moment is Jungle Potion. It shows off her range and has a rich fusion of Soul and Pop. I really like the brass, the bass and other instrumentals that support her vocals.

Violet Night starts and ends of with that vinyl sound many of us grew up with or are discovering with its re-emergence and is a track that has great rhythm and joy as a dance track superbly presented as a climax but isn’t the end of the album, which comes with Lights Out, a great way way to close, telling you to step outside your mind. The album may be over, but it still resonates.

I’m confident there are hit singles in this album and what is really cool is that it will have wide appeal to different audiences. I can’t wait to see the final cut of the video and perhaps more videos which really illustrates how much Meresha loves what she does.

So watch this space and sign up for updates and get a free download of Lemonade City and get ready for the latest EP from this great performer and recording artiste. I don’t normally right reviews of music, but I am really excited about this talent. I love to see the sort of commitment that she puts into her craft. Music is hard work and making it in this industry to a point where you don’t have to wait tables or do something else so that you can do what you love is not something many people get to enjoy.

Just as a footnote, while you are on her website, check out her videos and you will see what I saw, joy, passion and youth, combined with vocal control and skill. If you like what you see, please support her and buy the album.

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Helping Soldiers with PTSD through Music

As you know, a few days ago I set up a new Facebook page called Musicians with Cancer and other Maladies. It is about people helping other people. Today I came across a group that help soldiers with PTSD by using songwriting to express themselves and tell their stories in a trust environment, which is helping a lot of people, even those who are not musical themselves, or don’t realise they are.

Several years ago I wrote a song called Another Stretch in Iraq. You can hear a demo on my Reverbnation page. It was motivated by a newspaper story of a service woman who came home looking for some love and normality only to find that her man had left her for another woman. A common story sadly.

I joined a military blogging (milblogging) site and spent a good year or so talking to military personnel, mostly serving overseas at the time to get a feel (as much as that is possible, given that family members who served almost never spoke about their experiences when a civilian was present).

They trusted me and I learned a lot about their lives, their hopes, their agonies in losing brothers and sisters, general life and the isolation from their families where their fellow soldiers in fact became their families such that many could not and still can not adjust to civilian life without their brothers and sisters from he service.

When I was in Orlando some years ago, I played a couple of sets at a biker-friendly bar in Longwood and my song Another Stretch in Iraq was one of the songs I played with some great backing from the house band. I wish I had taken some photos because it was the classic bar with 30 Harley’s in a neat row out front, sawdust on the floor, the sort of place that Kiwis only see on movies and TV shows and that the cab driver thought I had no place being until he saw the friendly bear hug greeting I got from the woman who ran it.

After finishing the song a group of 6-foot something burly men came up to the stage. The biggest of them all came up to me with tears in his eyes and I thought I was about to become roadkill. He and his friends looked me in the eye and then he shook my hand and said I took him right back to the theatre at Desert Storm. He re enlisted twice and his son had just left for Iraq a week ago.

It was so rewarding to me that I had captured the emotions and environment with integrity and that the song gave them some comfort. I haven’t worked harder on a song and would love to record it professionally. It is on Reverbnation as a free download and is also on a couple of sites of free MP3 downloads that is made available to all serving US military.

Back to the Facebook page. There are thousands of returned servicemen in dozens of countries who suffer from PTSD. They come from all walks of life and many of them play musical instruments, or used to. Many of them can no longer motivate themselves and need a hand. Some of them join groups like the one in the video above. Many will not join groups, either because they can’t or won’t ask for help, because they don’t want to appear weak, or because they are still in service and don’t want to jeopardise their careers by showing weakness.

The concepts in this Facebook page mean that all they have to do is talk to a few friends and family that they are close to and trust. Then all they need to do is ask for a little encouragement, it’s as simple as that. For those who wish to or are able to contribute stories, I am hoping they will join the Facebook Group because it can only grow and flourish if they know about it.

I’m hoping that if you know people like that, you will share this post or the link with them so that they can be made aware that help is available and whilst it is not easy as it sounds, with a little help from their friends it can happen.

As John Lee Hooker and my idol Carlos Santana sang, Blues is a Healer. It heals those who play it as much as those who listen to it. If you can help someone pick up their instrument, or raise their voice and break the silence, you can have a profound influence on people’s lives and it can be as simple as my mate Rob sending me a TXT message saying “pick that gat up and play for 10 minutes man.”

If you know of anyone that could benefit, please share the Facebook group with them and perhaps join us yourself. My thanks on their behalf.

Talk about, Slot Music, Talk About

New York, Paris, London, Munich

Everyone’s talking about, Slot Music.

At least, it finally hit the NZ Herald today . Beaten by downloads affecting retail store sales, major record companies inlcuindg  Sony BMG, Warner and EMI have decided to make their music more accessible by putting it on 1GB Micro SD Cards.

They plan to still put them into CD cases and say that with the extra space, they can include the liner, liner notes and other information. They will be DRM free and you can even play your music on your computer by using the Micro SD Card with a dongle. The music will be in MP3 format at 320kbps they say on the info site, which they say is very high quality music. Really?

The say that hundreds of millions of phones, Personal Computers and in the future lots of car entertainment sytsms will be able to listen to this music.

Well hello! Do you think we consumers are thick? Let’s go back to the future and do a different thing in the same way and charge a premieum for convenience.

So here’s the thing. Back in the day we had audio casettes and vinyl. Audio casettes were cheap because they weren’t going to last long, especially on cheap walkman units that stretched the tape if they got dropped, got hot or for lots of other reasons. Vinyl was great, you got big liner art and photos, quite often big inserts with lyrics, interviews and more photos.

Then came the CD, which they said had far greater sound and extra space to put more information on. In the future, they said, they could include music videos, interviews, games, photos and much more. Of course we had to pay more for this amazing technology but it was going to be worth it. In many cases the quality was superior, even the nice ambience of the needle was no longer there.

But the extras? Well they are the exception rather than the rule. In most cases we got less liner information, because of the size. Inserts happened sometimes but not very often and the additional material? Sometimes there was a hidden track, that was fun. Occassionally someone would add a music video and a few like BB King, put out a CD ROM with interviews, games and lots more. I still have mine, it was cool. Of course I don’t play it any more, but I felt I got my money’s worth and was chuffed that an old timer like The King could do something so modern.

So here’s my take on this. I have large quantities of CD’s and DVD’s pressed, not of my music unfortunately, but for car navigation. I also have large quantities of SD Cards duplicated, also for car navigation. Firstly, even at volume pricing SD Cards are much more expensive than CD’s or DVD’s.

Universal Music is going to release about 30 ‘Slots’ to start with, from their eLabs Digital Music Unit. Sounds more like a test to me, but anyway, I do applaud them for trying new technology. I think it’s a good idea to try new technology, given that CD’s are losing ground rapidly to downloads.

Will they add extra information to the SD Cards? Maybe for some of those first 30, but then it wil be the same old story, new media for a premium price (for the convenience) and nothing more. If they had listened to people like me 10 years ago (Netguide wouldn’t publish my opinion), they could have reinvented a format giving loads of extra value, far more than people could afford to download and created a whole new generation of fans and collectors. But no, they just wanted to increase cash flow and profit. After all, they knew far better than we consumers, what was good for us.

In my humble opinion, they created the monster we have today where people download and share music for free. And it is a monster friends, because what is happening is people are downloading music for free and the poor songwriters and performers are getting ripped off.  Sure there are big bands making truckloads of money for themselves and their promotors, but they are the minority. Most of the people in your favorite bands have to work a day job in order to be able to write and perform music at night. This might not be the case if they got fair remuneration for their work.

I ask you this. Do you work for free? Do you expect to go to work and build widgets or whatever you do and expect other people to reproduce them for peanuts and give them to your mates? Will you accept a 90% reduction in your income because people have found a way to clone your products? I didn’t think so.

Anyway, after that minor digression, this is a storm in a slot. Sure they will make some of these. Then they will cry foul when people copy them (if they can be bothered). They will weep when these cards don’t get sold, except on eBay, Craig’s List or Trade Me after people have copied the music onto their computers and shared them with their mates.

I love new technology, but when I can go to iTunes and for a couple of dollars, buy the only song as a track that I like (because I am happy for the band to make some money from it), why would I buy a little SD Card that I will probably lose.

In my humble opinion, the music industry got this one wrong. Can they redeem it? Only if they figure a way to genuinely add value. They want to offer the music on iGB SD Cards. (Interesting that I struggle to even buy 1GB SD Cards anymore.) Why not do something smart and offer us real value. Do what you should have done years ago and you might find a couple of years of legs in this yet. Use 4GB cards. Load it with the music, the live performance video, the interviews, the music video, lyric sheets (the mechanical rights people can still get a share) and a personal spoken message from the band or artist. You could sell that for a premium and create collectors items that people will want to keep.

Of course when real broadband arrives, people are no longer going to buy music in hard copy. I’m sorry but they won’t. Why would you. The other day I sat down in front of YouTube an had a great afternoon watching videos and listening to music of my favourite bands of the past and the present. All it cost me was a bit of internet access (and I do have ADSL 2 from Orcon so speed wasn’t an issue.

I think the future will be:

New York, Paris, London, Munich, Nobody’s talking about Slot Music.

While this blog is starting to get a good following, I would love to get more readers and encouraging me to keep writing. If you feel that my blog is interesting I would be very grateful if you would vote for me in the category of best blog at the NetGuide Web Awards. Note that the form starts each site with www whereas my blog doesn’t and is of course https://luigicappel.wordpress.com.

Thanks so much for your support:)

Liverpool 8 watch a 65 year old innovate

Last night I saw Ringo Starr on the Late Show, playing the lead song to his new album Liverpool 8.

Here’s what’s different. The album is a 2GB Flash Drive embedded into a rubber bracelet, of course the name of the album is on the bracelet and the price is around the same as any new album. $20 from memory. As well as the album the contents include a music video, interviews, photos and more.

If you buy the album, you will probably want to wear it because it is novel and this being the first time it has been done (to my knowledge) it will become a colectors item. This could become the ultimate fashion wear for 2008. What are you listening to? Check it out on my wrist. The only drawback is that you can’t plug it into your car stereo or your iPod, but that will no doubt come if the concept takes off.

Storing multiple albums could be a bit of a problem, but I’m sure there will be appropriate refinements.

About 8 years ago I tried to get the local media to publish a story I wrote, saying that if the music industry doesn’t take care of their music buying public and take advantage of the capabilities of new media such as adding video, interviews, photos etc to albums, they will have a hard time competing with downloads. But if they add so much material (that they have anyway and don’t generally sell) so that it isn’t worth the hassle or cost of downloading everything, they will be in trouble.

The media didn’t want my story because it was controversial and probably because a lot of there advertising revenue came from the record companies. Hey guess what, yeah I was right. Now I’m not super clever, I’m just being logical. I think the record companies were arrogant and had the attitude of some Japanese manufacturers of a decade ago, who said to their customers, we will tell you what features you want on your products and how to use them, but that’s another story.

The point is, we are in the world of new media. Consumers have loads of choices. BUT, they are prepared to pay for value. EMI, Sony etc. if you want to keep your market, you need to give value. If you don’t you may just find that you aren’t needed or wanted any more. It’s not too late, but you need to understand, its not just about the media you print your music on, it’s about being innovative, listening to your customers and being innovative, fun, inspiring, sticky and giving value for money.

Instead of sacking your staff, sacking your entertainers and making them do their own promotion, how about talking to them.  There’s a novel idea. Here’s the question. It’s 2010 and the music industry as we knew it has collapsed. It has taken with it major printing companies, media companies, wholesalers and retailers and increased unemployment noticeably. If you were able to go back to 2008, what would you do differently?